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Boe Naurori warrior
Musa Isaiah warrior II
Gloria Head girl
Gloria Head girl
Gloria Head girl
Gloria Head girl
Gloria Head girl
Gloria Head girl
Gloria Head girl
Gloria Head girl
Gloria Head girl
Gloria Head girl
Gloria Head girl
Gloria Head girl
Gloria Head girl
Gloria Head girl
Boe Naurori - warrior - 21 years old, 2017
Musa Isaiah - warrior II - 26 years old, 2018
Gloria - head girl - 23 years old, 2017
Kupai - warrior I - 34 Years old, 2017
Lemaron Mpatiany - warrior III - 18 years old, 2018
Dan Parmaurt - warrior IV - 19 years old, 2018
Kiranto Muserian - warrior V - 25 years old, 2018
Lenkai - warrior VI - 24 years old, 2018
Nekishon (Gloria´s mother) - farmer - 46 years old
Lenkai - warrior VII - 24 years old, 2018
Musa Isaiah - warrior VIII - 26 years old, 2018
Nailepu Naurori - midwife - 67 years old, 2018
Jane Kuldu - head girl - 18 years old, 2018
Kiliya Sairowua - school boy - 12 years old, 2018
Lemita Sairowua - head boy - 10 years old, 2018
Lemara Tukai - head boy - 10 years old, 2018
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Boe Naurori - warrior - 21 years old, 2017
Musa Isaiah - warrior II - 26 years old, 2018
Gloria - head girl - 23 years old, 2017
Kupai - warrior I - 34 Years old, 2017
Lemaron Mpatiany - warrior III - 18 years old, 2018
Dan Parmaurt - warrior IV - 19 years old, 2018
Kiranto Muserian - warrior V - 25 years old, 2018
Lenkai - warrior VI - 24 years old, 2018
Nekishon (Gloria´s mother) - farmer - 46 years old
Lenkai - warrior VII - 24 years old, 2018
Musa Isaiah - warrior VIII - 26 years old, 2018
Nailepu Naurori - midwife - 67 years old, 2018
Jane Kuldu - head girl - 18 years old, 2018
Kiliya Sairowua - school boy - 12 years old, 2018
Lemita Sairowua - head boy - 10 years old, 2018
Lemara Tukai - head boy -  10 years old, 2018
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Homassai

Homaasai is a portrait series of a Maasai tribe in Southern Kenya. Each portrait opens a doorleading to a parallel dimension where timeless aesthetic sensibilities intertwine with acultural heritage. The photographies from the Homaasai series are done in completedarkness inside the sitters’ homes, their most intimate space.Without electricity, these interior domestic spaces are enveloped by darkness. Therefore, it takesa couple of minutes for the eye to adapt to the dimly lit environment. The only natural light in thespace shines through small cavities in the walls of Homaasai homes. Since very few rays of lightmake their way inside, the light painting portraits acquire a strong meaning and becomeincreasingly significant. I grant an experience to everyone to be defined by the unique featuresand postures of the indigenous people. Through the images from the Homaasai series, I invitethe viewer to take a step into a limbo of time and understand the solemnity of the tribe.